so i've been pretty busy, yet not really busy at all. just writing, working on this mixtape. constantly doubting myself. and whether or not i'm capable of doing this. same story blah fucking blah.
anyway, i met a new guy. he's pretty adorable. he's pretty fixed on himself. a musician. and i know he's putting up this front to make himself seem more "HIP." or down with the brizown as a boy i once knew said. i hate that. are people still uncomfortable being themselves, when amongst people of another race. is it really that serious? those are my only complaints. it's a pretty big turnoff. yet his face, and those tattoos, and that guitar. are a really big turn on.
hahaha. i just don't know what to do with myself. i might post up some lyrics later. usually when i post them on hear i edit them a little bit.
my life needs editing. wish i could copy and paste things in. lol. i'm a mess.
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p.s. new infatuation: hitherebrithere.tumblr.com
if you haven't already follow me on twitter. twitter.com/hitherebrithere
The woman who sued Sacha Baron Cohen over a "Bruno" attack now says the actor never struck her, but beat her down emotionally to the point she's now confined to a wheelchair.
Richelle Olson has amended her lawsuit against Cohen, NBC Universal and others, claiming Cohen and his crew were "replete with deceit, fraud and misrepresentation" when they contacted the charity she ran, offering to send a "celebrity" to her charity bingo tournament for the elderly.
Olson claims the character Bruno showed up and began calling bingo numbers "using vulgar and offensive language over the loud speaker system." She says she asked him to stop but he didn't, and the film crew captured her "humiliating emotional reaction"
The suit claims Olson left the stage, went into a side room, began sobbing uncontrollably and lost consciousness, falling headfirst into a concrete slab. As a result, she's confined to a wheelchair and a walker.
She's suing for unspecified damages. And, we're told, the scene was cut from the movie. Welcome to Hollywood.
Bullshit Central
edit; This is what her first lawsuit stated: The papers allege that Cohen “offensively touched, pushed and battered” Olson, causing her to fall to the ground, where camera operators filming the event rushed on to the stage and “attacked (her) for a period of one to five minutes to intentionally create a dramatic emotional response…while (they) recorded her humiliation and embarrassment.”
Olson says she was so upset by the incident that she left the room and passed out “falling forward onto the thinly covered concrete slab causing her to hit her head.” Olson was admitted to the hospital where she was diagnosed with “two brain bleeds” and claims she has been confined to a wheelchair and walker since the incident.
According to TMZ, Olson and her husband are suing for unspecified damages, including loss of marital relations ________________________________
MICHAEL Jackson's three children are being groomed for stardom.
Family patriarch Joe Jackson, who famously had a troubled relationship with his own children as he guided their careers, believes his bereaved grandchildren have the makings of showbiz domination just like his late son, Michael. Joe Jackson, 79, told Good Morning America that the three children Prince Michael, 12, Paris, 11, and Prince Michael II (also known as Blanket), 7, could follow in the footsteps of their father. "I keep watching Paris, she maybe wants to do something, you know," he said. "And Blanket, he can really dance, that's what they're saying. He can really dance." Hollywood is buzzing with rumours the young Jacksons are preparing to star on stage in London next month for a celebration of what would have been their father's 51st birthday and that Prince Michael may record a "virtual" duet with his father.
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10,534,000, "...Baby One More Time," 1999 (No. 1, six weeks) 9,184,000, "Oops!...I Did It Again," 2000 (No. 1, one week) 4,336,000, "Britney," 2001 (No. 1, one week) 2,970,000, "In the Zone," 2003 (No. 1, one week) 1,575,000, "Circus," 2008 (No. 1, one week) 1,347,000, "Greatest Hits: My Prerogative," 2004 (No. 4) 967,000, "Blackout," 2007 (No. 2) 100,000, "B in the Mix: The Remixes," 2005 (No. 134)
Paris Hilton repeatedly fussed with her hair and makeup in a federal courtroom Friday, sported six-inch stiletto heels and a black dress and amused the judge with a little wave on the way to the witness stand. Once on the stand, though, Hilton was businesslike when it came to defending herself against an $8 million lawsuit's claim that she didn't do her part to promote the 2006 box-office bomb "Pledge This!" She acknowledged in court the movie didn't turn out very well but insisted she plugged it for everything she was worth.
The trial is being heard by Chief U.S. District Judge Federico Moreno, who reacted with surprise when Hilton gave him a little wave before testifying. "I've never had a witness wave at me before," the judge cracked. _________________________
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WASHINGTON — Secretary of State Hillary Rodham Clinton said Friday that the United States was now seeking “amnesty” for two American journalists imprisoned in North Korea, a remark that suggests that the Obama administration was admitting the women’s culpability in a bid to secure their freedom.
“The two journalists and their families have expressed great remorse for this incident, and I think everyone is very sorry that it happened,” Mrs. Clinton said Friday morning during a wide-ranging question-and-answer session with State Department employees. “What we hope for now is that these two young women would be granted amnesty through the North Korean system and be allowed to return home to their families as soon as possible.”
The two journalists, Laura Ling, 36, and Euna Lee, 32, both reporters for San Francisco-based Current TV, were sentenced in June to 12 years of hard labor after a trial in which they were accused of entering the country illegally and committing “hostile acts.”
Ms. Ling reportedly called her sister, Lisa Ling, also a journalist, this week and said in the course of a 20-minute conversation that they had broken North Korean law, but her sister did not say how. Human rights advocates in South Korea have said they were on a reporting assignment about the plight of North Korean women sold through human traffickers and refugees fleeing hunger in North Korea when they were detained March 17.
Mrs. Clinton at first said the charges against the women were “baseless,” while the administration pressed for them to be freed on humanitarian grounds.
Her comments on Friday appear to reflect a changing picture that has been complicated by the North’s test of a nuclear missile in May and its decision to fire seven ballistic missiles into the Sea of Japan on the Fourth of July.
A scholar who visited the North said in an interview published Friday in a South Korean daily that the two women were not in a prison camp, but rather in a guest house in Pyongyang, a development that seemed to suggest that the North still wanted talks with Washington on the women’s release.
The scholar, Han Park, a political scientist at the University of Georgia, was quoted by the JoongAng Ilbo as saying the North Korean authorities told him the two women were “staying well in a guest house in Pyongyang.”
Mrs. Clinton’s comments during a town-hall-style meeting at the State Department came in response to an employee who did not identify herself, creating the appearance that the question was planted in an attempt to send a message to North Korea.
A department spokesman, P. J. Crowley, avoided questions about whether the administration had been in direct talks with North Korea.
Experts said that Mrs. Clinton appeared to be trying to keep the issue of the journalists separate from the conflict over the North’s nuclear ambitions.
“It’s clear to me they don’t want this tail to wag the nuclear dog,” said Michael Green, a top Asia expert for former President George W. Bush. “They are trying to keep it in a separate lane.”
But Mr. Green said the North was unlikely to release the women without getting something in return. Although North Korea does not expect the Obama administration to abandon its effort to impose sanctions on the North for its recent nuclear test, he said, it is likely to want a “high-profile visit” by an administration official to demonstrate that “it’s possible to return to business as usual.”
At a later appearance on Friday morning, Mrs. Clinton was asked if the State Department intended to send Professor Han as an emissary. “We have nothing to respond to about that,” she said. ________________________________________
PECCIOLI, Italy — In this 8th century town, amid the rolling hills of the Tuscan countryside, everyone talks trash. Even at the local restaurant, visitors chewing on roasted meat are asked for their thoughts on garbage.
Since the late 1980s, nothing has made Peccioli residents happier than collecting garbage. At that time, the small town built one of the most advanced dumping sites in Italy, designed to recycle and produce green energy. For 20 years, it’s been Peccioli’s most profitable business.
So when a group of young scientists from a nearby university in Pisa called Peccioli’s city hall and asked for permission to run a robotics test, all they had to do was say the magic word: trash.
During a recent test-run at Peccioli’s main terrace, the future of garbage collection zoomed in on two wheels, rounded and shiny, devoid of arms, and with two big round inspiring eyes. _________________________________
Ryan Reynolds has landed the coveted role of “Green Lantern,” getting the starring role in Warner Bros.' live-action film based on the DC Comics hero.
Martin Campbell will direct. The studio is still working on the picture’s budget, but production is expected to begin in January.
The news caps off a memorable summer for Reynolds, who played Deadpool in “X-Men Origins: Wolverine,” a performance that prompted Fox to begin development on a spinoff film. Reynolds followed that by starring opposite Sandra Bullock in the romantic comedy “The Proposal,” which crossed the $100 million mark this week.
Warners and Campbell chose Reynolds, who vied for the superhero role along with “The Hangover” star Bradley Cooper and Jared Leto. The momentum built for Reynolds in the last week, as he was the only actor whose option was extended.
Greg Berlanti wrote the script with Marc Guggenheim and Michael Green. Donald DeLine will produce with Berlanti. Reynolds’ reps at UTA are working out his deal.
The actor will next star in “Buried,” a dark indie drama that will begin filming shortly in Barcelona with Spanish director Rodrigo Cortes. Reynolds will play a civilian contractor who is kidnapped in Iraq and awakes in a coffin, struggling against time to coordinate a rescue even though he doesn’t know where he’s buried in the desert. ________________________________
working on the first mixtape...still wondering what i'm gonna call it.
things that have reinspired me today: Drake – The Calm Uh. I’m just so far gone. October’s own. Please leave me alone. Drunk off champagne, screamin in the phone. See my house is not a home, fuck is goin on? Where did we go wrong, where do we belong? Caught up in the game and it’s one I can’t postpone. Meaning if it rains, I’m the one it’s rainin on. When my diamond chain is on, still nothin set in stone. Women borrow sweaters that I spray with my cologne. And tell me don’t forget em and I promise that I won’t. Feelin so distant from everyone I’ve known. To make everybody happy I think I would need a clone. Places we get flown, parties that we’ve thrown. I’ve done more for this city than these rappers that have blown. It’s only been three years, look at how I’ve grown. I’m just in my zone, I call this shit The Calm. Yeah, but I’m the furthest thing from calm. Dedicated to my mom and I swear my word is bond. Everything will be ok and it won’t even take that long. You can see it in my face or even read it on my palm. Leader of the new school, it’s proven and it’s known. I’m sittin in a chair, but in the future it’s a throne. I know you like to worry, it’d be better if you don’t, cuz.
[Interlude - Drake talking] Ya know . . . Everything gon be alright, I promise. I apologize to y’know. Put y’all in this position. . . vent to y’all, but . . . Forty Momma always say, “Don’t ask permission, just ask forgiveness.” Y’know. So . . . Forgive me . . . Yeah . . . Yeah, I say
[Verse 2] Uh, And life is so insane. Look at what I became. Tryin to make a name. All my first dates are interrupted by my fame. Because every picture taken is a fan that you can gain. They love it when you smile, unaware that there’s a strain. It’s a curse you gotta live with when you’re born to entertain. Women need attention, and for it women will complain. Develop hatred for men sayin you’re the one to blame. Try to enjoy myself with Taz in Miami at the game. I just wish he knew how much it really Wade like Dwayne. There’s a weight that’s on my chest, whoever spottin me is playin. So I’m liftin all alone, tryin not to get a sprain. Hopin Western Union doin currency exchange. Cuz my Dad called and got me feelin guilty and ashamed. Like, how I had a Rolls and I went and got a Range. And he payin for his cigarettes with dollas and some change. Damn. And I can only feel his pain, Cuz in Memphis, Tennessee there’s only so much to attain. So I’m fillin out the form at the counter once again. He say he love me, I just hope he doesn’t say that shit in vain. Why your girl heart is in a slang, Call me Heartbreak Drake I’m the hardest one to tame. As a man I’m just honest, as an artist I’m a king. With my own set of problems that be sittin on my brain. Yeah, and see this is the thing. What they viewin as bright, and it’s the way that I maintain. The shit I write while starin out the window of a plane, Is the single-handed reason I remain . . .
[End - Drake talking] ME. Yea. Uh, I said I call this shit The Calm, but I’m the furthest thing from calm. I swear I’m puttin on, but they always wanna ask what type of act they puttin on. Like . . . man.
so today is brittany's going to put you on the all things brittany day. if you're interested take a ride with me. _________________________________
this boy, i used to hate on him hard. but i've been awakened. and now i speak, eat, shit wayne. i love his swag. i get this nigga.
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i love this drake review:
"Always knew that I could figga how to get these label heads to offer 'em good figgas And me doin the shows getting everyone nervous 'Cause them hipsters gon have to get along wit them hood niggas"
And so begins Drake's legitimate crossover from rapper to rapper slash singer, a transition that has almost never ended smoothly in hip hop. Kanye West delivered an album of computer-enhanced vocalizing in 2008 that was by far the most polarizing release of the year, among both critics and fans. Drake's "So Far Gone" treads similar waters—much of the production (especially what's handled by executive producer 40) seems to be influenced by Kanye's "pop art" beat making, combining moody background samples with distinct drums that drive Drake's flows. The first two tracks on the mixtape are admirably bold, not greeting fans of his witty rap verses with a couple sixteens but instead with contemplative singing and relatively restrained verses that straddle the line between rapping and spoken word.
I've talked to several fans of Drake's who listened to the mixtape and it seems to have polarized many, opening up to a wider audience while at the same time alienating some of those who've been following him since "Room for Improvement." A strong number of Kanye's strongest followers hated "808s & Hearbreak," but Drake's listeners will be relieved to hear the that when he does rap (we'll say a little more than 50% of the mixtape is flat out spitting), it's as clean as the best of "Comeback Season." "Ignant Shit" is likely the best example of Drake's dedication to a complex rhyme scheme and wordplay, and makes a strong case for an authentic collaboration with Just Blaze. Lil Wayne is at his personal best, spitting better than he did on the actual Jay album, ("and you can suck my wings // stand on my money, head butt Yao Ming // put ya hand in the oven if ya touch my things // I'm shuffling the cards, bout to cut my queens") but not before Drake sets the bar considerably high:
"It's all good, I'm goin off like lights when the show's over Make pasta, rent a movie, call hoes over Rest in peace to Heath Ledger but I'm no joker I'll slow roast ya, got no holsta' Wet glass on ya table nigga no coaster Burn bread every day bwoi no toaster G n Taz got a sig but I'm no smoker They just hand the chips to me, nigga no poker"
Now this is the kind of rapping a lot of hip hop fans were hoping Drake would lace his entire mixtape with. Ever since he spit his now notorious "blue's clue" line on "Ransom" and had his "Money to Blow" verse performed by Lil Wayne at the VMAs, the aforementioned "hood niggas"—or rather fans of harder hip hop—have started to pay attention to him. This question of identity has remained a blessing and a curse throughout the young rapper's career, as it's taken him a long time to be taken as a serious MC since starring as Wheelchair Jimmy in tween soap opera Degrassi. Now that he's got a demographic that includes female fans of the show and a hip hop fanbase fueled largely by Lil Wayne's co-signature and a remix of Lykke Li's sensational "Little Bit," he seems prepared to transition again into a full-fledged rapper/singer, a rarity in the mainstream.
"So Far Gone" is unquestionably one of the most cohesive, atmospheric hip hop records in recent memory—which is almost the antithesis of what one expects from a mixtape. Drake is not a gangster rapper and never goes down that path, instead proving how many ways there are to cleverly rap about problematic relationships and being on the verge of stardom. The middle of the tape is generally dedicated to rapping over other beats: from Santogold's "Unstoppable" to Kanye West's "Say You Will." The latter is a Budden-esque three minutes of pure dumbing out, including a particularly clever encapsulation of his career ("transitioning from fitting in to standing out"). Even in these brief departures from 40 and Boy-1da's production, nothing on the mixtape ever feels out of place. There really isn't a weak track on the record; the closest thing to a misstep is the remix of Peter, Bjorn & John's "Let's Call It Off," an indie collaboration that's not quite as convincing as the brilliant Lykke Li remix.
Truthfully, I wish I could dedicate a paragraph to each track, from the awesomely obscure DJ Screw homage of "November 18th" to the blazing organs of "Uptown," a surprise collaboration between Wayne, Drake and Bun B. I'll instead finish off with an excerpt of "The Calm," an excellent microcosm of the mood of the mixtape as a whole. Drake spits two verses here, both rhyming the same syllable the entire time.
_________________________________ Chasing Drake
PETER KRAMER/AP PHOTO Actor Aubrey Graham makes an appearance at MTV's Total Request Live in New York on Oct. 2, 2007. Print Choose text size Report error or complaint Email the author License this article
Last call for industry blowout For some, the party is over.Media, marketers, major labels – and, yes, the ladies – are pursuing Aubrey Graham, alias Drake. The Toronto rapper without an album is stirring up a frenzy that will be felt on the red carpet of the MuchMusic Video Awards tonight
Jun 21, 2009 04:30 AM Be the first to comment on this article... Ashante Infantry Pop & Jazz Critic
He doesn't have a video of his own in rotation. He's never even made a studio album. But make no mistake: rapper Drake is one of the most anticipated guests at tonight's MuchMusic Video Awards.
"The red carpet is going to be bananas," said MuchMusic VJ Devon Soltendieck of Toronto-born Aubrey Graham's first local appearance since his sold-out show at Sound Academy last month.
Since his third mixtape So Far Gone was released in February, Drake (aka Drizzy) – who starred for eight seasons as paraplegic Jimmy Brooks on Degrassi: The Next Generation – has slowly become rap's hottest property.
"Hip hop has been hungry for its next big star," said New York-based Elliot Wilson, founder and CEO of RapRadar.com. "(Early in the year) people were talking about Asher Roth, Kid Cudi and Wale, and no one put Drake in. But by April, it was all about Drake."
And it's been more about Drake since his storied May 26 performance at Manhattan's hip S.O.B.'s club, which was jammed with about 300 tastemakers, celebrities, journalists and record executives, such as Warner Music boss Lyor Cohen.
Each day seems to yield new chatter about the 22-year-old, who is working on his debut album for a fall release but remains unsigned despite being wooed by major American record labels. He says it himself on top track "Best I Ever Had": "Buzz so big I could probably sell a blank disc."
In just the past two weeks:
June 6: Drake's managers say they plan to sue Canadian Money Entertainment for selling an unauthorized album, The Girls Love Drake, which features selections from So Far Gone.
June 7: His unscheduled cameo at Hot 97 FM's annual summer concert at Giants Stadium is thunderously received. It's considered an anointing by the Big Apple's hip-hop cognoscenti.
June 10: At the Black Eyed Peas' CD release party in NYC, Drake is photographed with singer Rihanna, fuelling rumours that they're an item. He has said they are friends, collaborating on her next album.
June 14: Kanye West directs the video for Drake's "Best I Ever Had." Jay-Z and Common are spotted on the New York set.
June 15: It's announced that Drake is going back on tour with Lil Wayne (the pair hit the Molson Amphitheatre Aug. 4), and will appear on the lead single for Jay-Z's forthcoming album. The same day, he performs on The Tonight Show alongside Jamie Foxx.
June 16: Complex magazine nominates So Far Gone the third best album so far of 2009.
June 18: Drake is named as an MMVA presenter.
"He's searched (online) twice as much as Eminem, who just dropped a record but is mostly selling to old fans," said Yves Darbouze, CEO of pLot Multimedia, a New York-based marketing firm behind campaigns for the likes of Frank Sinatra, Alicia Keys, Toyota and Pepsi.
The company pursued a contract with Drake after determining his "blue-chip" marketability, in part by measuring the algorithms of positive vs. negative online comments. The performer, who now shares management with Kanye West and Lil Wayne, scored an "off the charts" 78 per cent, compared with, say, Diddy's career range of 48-58 per cent, or 50 Cent's 38-48 per cent, according to Darbouze.
"We wanted to work with Drake more than any artist we have worked with before," said Darbouze. "We had several face-to-face meetings with management, but then he got so busy – he reached critical mass – and we didn't close the deal and the window of opportunity closed."
A performing producer along the lines of Pharrell Williams and will.i.am, Toronto's Slakah the Beatchild is benefiting from Drakemania: there's increasing interest in his just-released debut Soul Movement Vol. 1, which features three songs recorded with the rapper two years ago.
"Within the music community, we all said Drake was going to be the next," said Slakah, citing the high-school dropout's tone, witticisms and delivery. "With his wordplay and understanding of metaphors, he'd be a great English professor. He can say something 10 different ways and make it rhyme."
On the strength of previous mixtapes, Room for Improvement (2006) and Comeback Season (2007), Drake came close two years ago to signing with Universal Motown, which is among his current pursuers.
It's acknowledged that subsequent mixtape collaborations with Lil Wayne, who took him on tour this winter, broadened Drake's appeal in the U.S.
"That was the ultimate co-sign," said Flow 93.5FM music director Justin Dumont, who has been playing him on air since February 2006, when "Do What You Do" arrived anonymously in the submissions pile. "He always had the talent, Lil Wayne gave him the credibility. He does what Kanye does, but in some people's opinions better. His music is really honest."
Rhyming talents aside, women have also been particularly responsive to Drake's collegiate good looks and his combination of vulnerability and swagger. "When you're a hip-hop artist and you can fill a club with more girls than guys ... He's pretty much the Derek Jeter of rap: guys want to be him and girls love him," said Darbouze. "He has the marketability of Will Smith and the musical gravitas of Kanye West."
Degrassi co-creater Linda Schuyler remembers Drake (it's his middle name) as "very charismatic, even as a rather awkward 13-year-old when he started here. He had a way of connecting with people. We would do these mall tours, 3,000 to 4,000 teens screaming for the Degrassi kids, and you could see that Aubrey set off that energy."
Wilson said the offspring of a Memphis-based black musician dad and white Jewish educator in Forest Hill is a border-hopping barrier-crosser. "He's Canadian, he's half-Jewish, that's a novelty," he explained. "Stereotypes of region and race are being challenged, yet he has no credibility issues and he's comfortable in his own skin."
It wasn't always that way. In 2006, Drake spoke with the Star about being a racial minority at Forest Hill Collegiate. "It was very awkward," he said. "I never had a girlfriend. Not one of those girls would bring me home. It would be too risky."
"His parents represented two different sides of life," said Schuyler. "As he got older, he needed to find ways to reconcile those two different influences. Music was a wonderful outlet for him and he turned out to be extraordinarily talented."
The entertainer recently told Vibe magazine that his goals are to win a Best New Artist Grammy, finish high school and resume acting. In that same 2006 Star interview he said, "I'd definitely like to be an icon. Not only in the city, but across the world."
_____________________ in the latest drake news: Rapper Drake and nightclub promoter Simply Jess of the 400 Club were spotted this past weekend at the popular Fifth Nightclub in Miami. This was Drake’s first time visiting a Miami nightspot and he was having such a good time that he put on an impromptu performance. In other news, Drake fans will be happy to know that he is planning to announce his major label deal early this week. POW!
Check out video of Drizzy at the Fifth Below:
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this will always make me shit my pants laughing:
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and i will actually always remember this. it's such a high school moment.
p.s. aaron, mia definitely slept on you. you're fly shit. _______________________________________
this is a side you'll probably never get to see in me.
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these are the many reason why the office will always be my favorite tv show:
http://www.youtube.com/watch?v=a8bPxl5ko6g
http://www.youtube.com/watch?v=jo2apxoB9aE
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this is when i realized i loved the young money crew.
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this girl has talent. i just want to let people know.
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i will never forget honduras and juan miguel.
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i'm that voice, for these girls that are like me. i want to be the one, i've never seen a girl like me in the public eye. i'm trying to put people on to new things, open their minds and hearts to just someone like me, i think they're ready for it. i know i'm ready for it, and do whatever it takes to get there. and experience every bit of life i can on the way there. i breathe music, and girls like me music it's our voice. it's alot of who we are. because people don't get us. like oh are you black are you white? are you confused? it's like no bitch, it's just me. i am the product of the life i've lead. and i am this way. experiences are what make a person. and my experiences in my life, and what i've chosen to take from them are what has made me to the brittany aka dollface that i am today. i mean, i can't tone it down. because then you'd be asking me to be another person and that's just never gonna happen. and when i walk into a fuckin room i'm always gonna stand out. and be the first bitch on your mind, and then when you meet me you'll know what i'm about and have your oh my god moment, like wow this is the future. this girl, she's something. __________________________________
i wrote this song today:
parties they're a danger. they can rearrange yah. have you seen a girl that makes you wanna change yah. then take her home and bang her. the misters they are strangers. sittin in your corner just sippin your drink. i really didn't think. that i would meet a girl that makes my heart just sink. i just want to stare at her. be near her, see with her. see and touch and just feel with her. and taste and breathe and just be with her. rise with her ride with her, cuz her she is a rider, i mean when i saw her i was ridin her. this girl she makes me crazy. i feel i am not on her level, like i cannot compare to she. cuz this girl she got that saw like weezy f. baby. and you know i am the girl that weezy should be fuckin baby. and she love pussy she's a pussy eating lady. man i told you that my life was fuckin crazy. she reacts with a reaction that they never have it scares me. but i've never felt so clearly. and i just go with feelings and she makes me feel so daring. god she even makes me corny. and you know what i'm gonna say next, cuz you know she makes me horny. nervous, but exicted. she hates being lonely. i jus wanna know her get inside her... head, then fuck her off the bed. but she tortures me instead, i'm the book you haven't read. it's coming soon, before i'm dead. so open up to my world. get inside my head. i am not boring, my mind is worth exploring but i don't really let em in. and often it's feelings i'm ignoring. calls that i'm ignoring. but really where do i begin. i'm set to have you're heart, but i'm also set to win.i want to have it all. but all do want to let me in. so i'm breakin down the door i am screamin let me in. i am nick belane i hit that door like the bottle. you wanna breathe me in ,you wanna live by my motto. you want to slip yourself in like you wanna hit the lotto. i am the new religion, and i'm skinny like a model. it's the top that i'll be touring. and sometimes i get wild. but i'd never call it whoring. it's my voice that they'll hear roaring. through your speakers hear my voice. look at you actin like you ever had a choice. my name is not claire kids, i am not a tease. so grab some wood there bub, don't forget that i'm the one to please. cuz i can also you nut(s) and make you never wanna leave. but i always have to leave em. i always make em grieve. but they are not my toys. i am not a puppetmaster. i just love to love, it's why you love me. i'm disaster. me i am a runner, i do not have a master. i have one direction, it's the top. so life's a bastard. a fatherless child, but i am my father's daughter. he always used to leave. but he's always been a father. to me, and now i'm realizing how much i take after him, i know it happens. but it's suprising. and that's trulu why he gets me. understand, that i cannot be tamed. but i'm like the wind i'm alway there. i'm on your brain, you're in my hert. and it doesn't matter where. see i just wanna live life, i just see it so clear. i just want to have this girl by my side. i want her there when i make it, when i'm made. when i'm dollface of the years. i'm tryin to do it all. just wanna have a ball. and drizzy said it best cuz when you're born to entertain. everyone wants a smile, and they all want to gain. everyone wants some miles, and everyone wants a piece. of you and your money. you're a carnivore, i'm meat. and sometimes i just want to get away and grab some peace and somebody, that certain somebody. they just listen and get you when your hurtin somebody. and when you can't have them you're hurtin somebody. flirtin, fuckin nobody's. tryin to just fill that void, with a face and a body. but you know she's the one. la unica, yo la deseo. pero ella, si ella, es la unica que no tengo. la unica cosa que quiero. hablando mierda ella, haciendo mierda con ella. pizando, pizando, pizando con ella. i'm done yo. it's done though. yes, it's a done deal. i'm a firecracker but she got that whip appeal. ___________________________
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the girl love of my life:
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________________________________ i love this song:
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this video is sucha pothead thing to do:
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shia learning how to drive back in the day.
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the video makes me love whites boys even more than i already do: http://www.youtube.com/watch?v=Rs56M-nJANE
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we'll end it on this note:
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i love this episode of cold case:
_________________________
this movie is amazing:
________________________
musically this is where i'm at:
mentally i'm here:
so that makes for epic shit. _________________________
i fall for boys who are like this:
____________________
and miss cartoons like this:
_______________________
i want to make music influenced so much by this. because this is real music.
i'm brittany.
in person i am everything and more.
-drakedrizzyrogers.
i lived in honduras for 141 days.
i go to umass boston.2338679.
i ran away from home once for two months.
i'm a vegetarian.
i don't want to live in the united states.
i believe in a lot of stuff.
most people love me.
i love pbr.
i love post rock, math rock, indie, shoegaze.
modest mouse inspires my life.
music does that, but modest mouse especially.
i love basement shows.
i get jealous easy.
i'm extremely critical
i'm pretty loud.
i hate when people litter.
i love to touch people.
i'm hispanic.
i've gotten my heart broken. alot.
i love boys.
i love life.
and laughing.
i'm own people in facebook scrabble.
i say "wallin" alot.
geraldo rivera's mustache bothers me.
mustaches kinda bother me.
i'm gonna be famous.
cause i got that swagboy
the swag you never had boy. -wayne.
i'm moving to NY in 7-9 months.
the grass will be greener on the other side.
